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Selasa, 29 April 2014

PDF Download , by Janet Malcolm

PDF Download , by Janet Malcolm

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, by Janet Malcolm

Product details

File Size: 386 KB

Print Length: 177 pages

Page Numbers Source ISBN: 0679731830

Publisher: Vintage; Reprint edition (June 22, 2011)

Publication Date: June 22, 2011

Sold by: Random House LLC

Language: English

ASIN: B0053CTMN6

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An interesting essay on journalistic ethics. However, reading the rebuttal that McGinniss has appended to the newest edition of "Fatal Vision" the argument could be made that Janet Malcolm also played fast and loose with her reporting of the MacDonald v. McGuiniss lawsuit. Given her scant attention to the facts of the MacDonald murder case, you could get the impression from this book that MacDonald is innocent of the murder of his wife and daughters when in fact the evidence is overwhelmingly against MacDonald. A good read, but you need to read McGinniss' rebuttal to make a fair assessment.

In being nearly twenty years old, Malcolm’s book suffers a bit of dating and a somewhat heavy faith in psychoanalysis, but her ideas about the role of a reporter in dealing with the subject of a news story and how journalism has to break from the narrative that subject wants while actually yay-saying that narrative in order to keep the subject engaged are important ones, especially these days of a media besieged by propagandists who are either too sensitive to understand that proper news outlets have a deeper responsibility or their lackeys who deliberately cloud what that exact responsibility is. Malcolm takes the case of a libel suit against a reporter by the convicted murderer he wrote about being guilty to examine the psychological dynamics behind journalism, trials and jury deliberations (as the libel trial ended in a hung jury before a settlement was reached). With discussions of lies vs. untruth, how we speak vs. what we hear, and fiction vs. nonfiction, Malcolm’s definitions are pretty vital now that entertainment has not only infiltrated the news box but assisted by an administration that heavily favors and spreads propaganda.

At what point does a journalist "cross the line," as it were, from mere reporting to lying to obtain a story at any cost?I read this piece when it first came out in two parts in the New Yorker in the March 13 and March 20 issues of 1987. It was fascinating then, and it has not become less so, in the intervening years, when I bought the book (again) for our daughter's college course in journalism.Politeness with one's sources is always a good idea. But is it okay to lie, and to repeatedly lie outright to get a story as did Joe McGinniss. while he interviewed the military doctor accused of killing his wife?In this case, the lies went beyond politeness, beyond simply allowing the source to think that the journalist was on his side, without saying as much.And thus it was that McGinniss ended paying a large settlement to Jeffrey MacDonald, the convicted killer.This story is not the be all and end all of journalists reporting on the press. But in its time, it was an excellent look at the lengths to which some go to get the story.And since then, the lines have simply blurred and journalists become far more sloppy.But that's a story for another book, another day.

This was a very thoughtful read on what constitutes ethical journalism, and the book raises poignant questions about whether a reporter can truly every capture the "truth" of a person. At the outset, the main subject of the book declines to make himself available to the author. While somewhat disappointed initially, Malcolm seems to take relief in the fact that her personal dealings with the man can not complicate her writing about him. I bought this argument initially (and maybe I still do, in many ways) but I do have to say that I think hearing more of his perspective was necessary to make this 4 star read an absolute 5. Ultimately, writing a book about a man's lack of ethics without allowing him to contextualize his side with the benefit of hindsight seems nearly as unfair as what McGinnis did to MacDonald. Her book certainly isn't unethical, but it feels incomplete. Still, an excellent and thought provoking read

Amazing book. The author explores the behaviour of a journalist who ingratiated himself into the life of a man (a doctor) on trial (and convicted) for murdering his wife. The journalist misrepresented himself to the doctor as being a supporter of his innocence; but actually fossicked and exploited what he learned to write a book completely crucifying the doctor. Malcolm’s book looks at the ethics of what the journalist did. This book is incredibly compelling and fascinating. Highly recommend!

I found this to book by Janet Malcolm to be a fascinating read, especially for anyone interested in journalism and the relationship between journalist and subject. Using the murder case of Jeffrey MacDonald as a backdrop, Malcolm looks at the unethical deal Joe McGinniss made for exclusive access to MacDonald to write his book. The initial murder case is overshadowed by a case of fraud and Malcolm suggests that McGinniss is guilty of misleading MacDonald. How do we make sure journalists remain ethical in their reporting. Does Malcolm give us all the facts? Is she herself participating in the very thing she accuses McGinniss of? This book left me with many questions.

The book was a waste of my time. I kept reading and hoping that the book would finally start to grab my attention. I used it as an easy way to put me to sleep. Trust me, it will !

Especially good for folks interested in nonfiction writing.

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Jumat, 25 April 2014

Free Ebook Death's End (Remembrance of Earth's Past), by Cixin Liu

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Death's End (Remembrance of Earth's Past), by Cixin Liu

Review

"Wildly imaginative, really interesting." ―President Barack Obama on the Three-Body Problem trilogy“A breakthrough book . . . a unique blend of scientific and philosophical speculation, politics and history, conspiracy theory and cosmology.” ―George R. R. Martin, on The Three Body Problem“Extraordinary.” ―The New Yorker, on The Three Body Problem“Remarkable, revelatory and not to be missed.” ―Kirkus Reviews, starred review, on The Three Body Problem"A must-read in any language.” ―Booklist, on The Three Body Problem"A meditation on technology, progress, morality, extinction, and knowledge that doubles as a cosmos-in-the-balance thriller.... a testament to just how far [Liu's] own towering imagination has taken him: Far beyond the borders of his country, and forever into the canon of science fiction. ―NPR, on Death's End"The best kind of science fiction, familiar but strange all at the same time." ―Kim Stanley Robinson, on The Three Body Problem

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About the Author

CIXIN LIU is a prolific and popular science fiction writer in the People's Republic of China. Liu is a winner of the Hugo Award and a multiple winner of the Galaxy Award (the Chinese Hugo) and the Xing Yun Award (the Chinese Nebula). He lives with his family in Yangquan, Shanxi.KEN LIU (translator) translated the Hugo-winning The Three-Body Problem and edited Invisible Planets, the first English-language anthology of Chinese SF from the 21st century. A winner of the Nebula, Hugo, and World Fantasy awards for his own original fiction, he is the author of the Dandelion Dynasty series of silkpunk epic fantasy novels (The Grace of Kings and The Wall of Storms) as well as The Paper Menagerie and Other Stories, a collection.

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Product details

Series: Remembrance of Earth's Past (Book 3)

Paperback: 624 pages

Publisher: Tor Books; Reprint edition (September 5, 2017)

Language: English

ISBN-10: 0765386631

ISBN-13: 978-0765386632

Product Dimensions:

6.2 x 1.6 x 9.3 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

630 customer reviews

Amazon Best Sellers Rank:

#5,305 in Books (See Top 100 in Books)

Death’s End. The title of the final installment gives away what is coming, but whose death? You need to travel an unimaginably long and jaw-dropping journey to find out who/what ceased to exist. Mr. Liu Cixin – or “Big Liu”, a fond nickname invented by his fans in China – now is not only the best sci-fi writer from China, but also one of the best on earth.Remember how far we have come from? The whole story started in around 1960s as China went through a horrible period of political turmoil. When senseless mobs beat a little girl’s father to death in public, her faith in humanity was shaken and lost. Her solution was to seek help from species of other planets, thus changing the course of humanity. As a result numerous lives were lost in the ensuing battles and conflicts. But two unlikely heroes came to rescue – Mr. Luo Ji devised a way to blackmail and diffuse the Trisolarian invasion, and Mr. Zhang Beihai managed to save and plant a human seed far away from the Earth.Did both strategies work? The Death’s End provides the final answer. The main character of the third book is another woman (Ms. Cheng Xin). She is smart but weak, and the choice she made in this book will be long debated among the Three-Body fans. But does it really matter at the end? It appears that, regardless of her choice, the fate of humanity was inevitably sealed. I will say this, that two women, Ye Wenjie in book one and Cheng Xin in book three, pretty much decided the course and the ending (a feminism analysis of Big Liu is due).There are so many refreshing gems in the Death’s End that makes the book irresistible. For example, how to send a communication device to Trisolaris but the device must have minimum amount of weight and can survive long distance of space travel? Big Liu’s answer was plainly crazy yet sensible. For example, Big Liu rebranded himself temporarily and inserted a long and intriguing fairytale, yes, you are reading this correctly, a fairytale about how an evil prince stealing the throne of a kingdom and a princess fighting back. Finally, a stupendous weapon called the “dual vector foil”. I don’t want to elaborate. Let’s just say that if you are still reading my comment here, you are not affected by this weapon (yet).Besides sci-fi and fairytales, Big Liu clearly likes to write detective stories, which are dotted throughout this book series. Book one began with a scientist trying to figure out what was wrong with his vision and who was behind all the suicides of other scientists. Book two had a heavy dose of mouse-and-cat game between wallfacers and wallbreakers. Book three involved many experts (scientists, intelligence officers, and professors in literature) trying to decipher the true meaning of the fairytale. These plots will keep you guessing and add extra thrill.Finally, the ending. So much happened while ions went by in the final pages. I remember many people complaining about the slow pace of book one. When u reach the end of book three, u will instead suffer whiplashes. I had to turn back and go over many pages again asking what the F is going and trying to make sense of what is happening. Suffice to say that it is a finish that I have never seen it before in any sci-fi literature. Probably the GRANDEST and the MOST INSANE ending of all.Go read it, and start to marvel and tremble.

Plenty has been written about the extraordinary imaginativeness and story-telling prowess of Liu Cixin in this thought-provoking book. Having just finished the trilogy after just over a week of obsessive reading, I’ll share a few thoughts as a means of decompressing from this harrowing epic.I read the first two volumes in Chinese and the third in English, mainly because it became too labored an effort to read the transliterated foreign proper nouns and technical words in Chinese (for me, anyway), and I can attest to the quality of the translation and its loyalty to the original. It felt as if I read all three books seamlessly in the same language. Although certain things are inevitably lost in translation, Ken Liu, as an accomplished writer himself, certainly compensated for the loss with innovations of his own. My only complaint has to do with certain word choices. For example, pinnace and dinghy are perhaps neither familiar to most readers nor appropriate terms for astronautic vehicles, and at times certain passages are unnecessarily grandiloquent while at others overly casual when exploring scientific and philosophical concepts. I was especially dismayed that the end of a fairy tale in the story opted for a word-for-word translation instead of “and they lived happily ever after,” despite that’s exactly what the source material means, and it was the only moment that I felt like I was reading a translation.It is important to point out that although the three books complete the same story arc in a mostly chronological order, they involve very different scale, scope, and more importantly, themes. Emotionally, each book is fully resolved at the end. In this regard, the first book, though a thorough page turner and winner of the Hugo Award, perhaps has the least depth of the three.One major theme of the first book is certainly the existential crisis that can arise out of either failure to grasp reality or loss of faith in humanity, and the second book inverts that theme to become the humanity’s shifting beliefs in reality and faith when faced with a crisis of existence. Death’s End, on the other hand, annihilates any notion that we may have of both crisis and existence.Romantic love evolves along with the installments. The Three Body Problem has a cynical notion of love, and the stories of various marriages are marked by betrayal, indifference, and lovelessness. In Dark Forest, love is an ideal that ultimately proves to be an illusion. In Death’s End, love is concrete with cosmic consequences, yet at the same times becomes the most elusive and utterly devastating.The narrative structure of Death’s End is also different compared to the previous two books. It doesn’t have the air of mystery of The Three Body Problem that is imposed by an unknown entity, or the intentional concealment of Dark Forest that plays smoothly into the Wallfacer Project. Instead, the story unfolds in a straightforward manner, but every decision made has far reaching consequences that you may not see for hundreds of pages, which in turn are foretold by minute details before they are revealed. There is one subtle but brilliant point a third into the book where the Trisolaran emissary sadistically admonishes the forlorn protagonist that the universe is not a fairy tale. It may seem like a mundane cliché by a cartoonish villain, but this point ties together the entire trilogy.The last installment, like the previous two, pays ample homage to other works of science fiction, sometimes covertly. It is interesting, however, that Liu also subverts elements from his prior stories in the trilogy. Similarly, Ball Lightening, of which a weaponized version is mentioned repeatedly in the second book, is an earlier eponymous novel of his. Three short stories come to mind: The Wandering Earth, The Rural Teacher, and a third one that may reveal too much plot by its title alone. The Wandering Earth tells the story of a human society that tries to escape the Sun that is shifting out of main sequence unexpectedly early by making Earth itself into a giant spaceship in order to fly to, ironically, Alpha Centauri, the Trisolaran home world. A specific object that appeared in The Wandering Earth is mentioned twice in Death's End, and becomes a powerful symbol at the very end of the novel. The Rural Teacher also deals with a fertile universe and the destruction of stellar systems, but unlike the Dark Forest, that universe is much more benevolent toward civilizations.Given the limited scope of the first book and the impeded scientific progress in the second, Death’s End is the only part of the trilogy to expansively explore frontier scientific ideas. The scientific foundations of the book are mostly solid and airtight, even when it feels dubious as observed by characters. Artistic licenses are only taken when it involves speculations far beyond even the frontiers of our current scientific understanding. However, one problematic aspect has to do with traveling and manipulating objects in four-dimensional space, as the novel implies that distance in 3D space can be shortened by traveling in the fourth dimension, which is incompatible with orthogonality of dimensions in the Euclidean part of space-time, and there is no metric shortening of the lower-dimensional distance by traveling in any direction in the higher-dimensional space. Of course, it is certainly possible that the local geometry of said fictional space is non-Euclidean.The author does a superb job confounding the philosophical center of the books with a very comprehensive treatment of the different beliefs in science, society, politics, religion, gender, human nature, life, etc., both through an interspersed objective omniscient narrator and through the subjective thoughts of opaque characters. Indeed, there is no true villainy in the trilogy, even when we’re dealing with genocidal alien invaders and mundicidal star destroyers. However, there remains a palpable degree of ethnocentrism and, more problematically, androcentrism that belies the author's ambitious big picture of cosmic proportions. Though the male gaze is prevalent in the first and second books, it nonetheless reflects the inner worlds of the male protagonists, if not the author himself, from an exceedingly patriarchal society. Yet what Liu perceives to be the difference between “masculine” and “feminine” values cannot be reconciled even at cosmic scales, despite the author’s clear intention to absolve and diminish all sins, aggression and weakness alike, in the grand schemes of the Dark Forest universe. It is disappointing, but forgivable.Many critics think that Death’s End is the best of the trilogy, including the translator. I disagree. Liu has written three entirely unique books out of the same story, one may even argue that they’re written in three different genres, and each succeeds and excels on its own equal footing. Nonetheless, Death’s End is the grandest, and it will blow your mind.

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Selasa, 01 April 2014

Download Ebook Maldives, 3rd: The Bradt Travel Guide, by Royston Ellis Bob Gibbons

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Maldives, 3rd: The Bradt Travel Guide, by Royston Ellis Bob Gibbons

From the Back Cover

A group of coral islands ringed by swaying coconut trees, pristine beaches and translucent warm waters, the Maldives is a tropical respite from reality. A haven for those seeking contemplation and relaxation, it is equally fascinating for those drawn to the underwater world. This new edition offers everything you need to plan a Maldives getaway. With personal impressions of resorts, comprehensive coverage of the capital, Male', and plenty of practical information, this guide ensures that you'll get the most out of your tropical adventure. *Thoroughly updated, including post-tsunami research*In-depth coverage of resorts, including the latest hotspots*Expanded information on coral reef species and diving*Island hopping and water safaris*Maldivian culture

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About the Author

Royston Ellis is a travel writer and biographer who has been a frequent visitor to the Maldives from his island retreat in Sri Lanka. He is also author of Bradt's Sri Lanka and Mauritius, Rodrigues and Reunion.Travel authors Siân Pritchard-Jones and Bob Gibbons have provided the update of this edition.

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Product details

Series: Bradt Travel Guide

Paperback: 248 pages

Publisher: Bradt Travel Guides; 3rd edition (February 1, 2006)

Language: English

ISBN-10: 1841621439

ISBN-13: 978-1841621432

Product Dimensions:

5.2 x 0.5 x 8.5 inches

Shipping Weight: 11.4 ounces (View shipping rates and policies)

Average Customer Review:

2.8 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#6,503,103 in Books (See Top 100 in Books)

This is a good guide to find your way around the maze of resorts in the Maldives and plan a holiday. Of course I can not possibly verify all the information, research seems to have been done with accuracy.As for many Bradt guidebooks, I especially found this one valuable for its cultural content: many pages are devoted to the culture, history, social conditions of the country, which you don't find in many guidebooks.My main criticism is that the author is a bit too uncritical of former president Gayoom, a man who did lots of good to the Maldives but ruled as a dictator, sometimes a brutal one, for three decades.Make sure you get the latest edition of the guide when you buy one.Several pictures and useful maps complete this book.

This book was OK. It was a little confusing and I thought not too well organized. I had to go to the web to find more information. Prices of resorts aren't listed but if you go to the resort's web page you can find that information. Definitely worth it for an introduction to Maldives.

I bought this guide to help me with my trip to Maldives But it's not good. The informations are not well organized and it's not easy to find what you are looking for. So, for me, it didn't work. The best guides are Eyewitness!!

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Maldives, 3rd: The Bradt Travel Guide, by Royston Ellis Bob Gibbons PDF

Maldives, 3rd: The Bradt Travel Guide, by Royston Ellis Bob Gibbons PDF

Maldives, 3rd: The Bradt Travel Guide, by Royston Ellis Bob Gibbons PDF
Maldives, 3rd: The Bradt Travel Guide, by Royston Ellis Bob Gibbons PDF